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Dans Les Médias

Me Goldwater à la défense des enfants québécois

Après avoir défendu les droits des conjointes de fait, l’avocate Anne-France Goldwater poursuit un autre objectif: rendre les pensions alimentaires des enfants québécois équivalentes à celles du reste du Canada. La cause, entendue le mois dernier en Cour d’appel, pourrait avoir un impact sur des milliers de familles.

50 nuances de Grey nuancé

Le premier tome de la traduction française de la trilogie 50 shades of Grey, traduit sous le titre 50 nuances de Grey, arrive en librairie au Québec. Publié dans 43 pays, cet ouvrage écrit par E. L. James met en scène Anastasia Steele, étudiante en littérature, qui s’adonne à des expériences sadomasochistes avec le richissime jeune chef d’entreprise Christian Grey. Après 40 millions d’exemplaires vendus, on peut dire que la version anglaise a engendré tout un phénomène. Pour commenter et comprendre ce succès, Catherine Perrin reçoit une jeune fille de 18 ans qui pratique la « domination », Anne-France Goldwater, avocate féministe et bonne lectrice, et Sylvain Houde, un écrivain qui donne dans la pornographie.

Entrevue d'Anne-France Goldwater sur Pénélope McQuade show

Celle que l’on peut voir trancher les causes dans L’arbrite, la flamboyante avocate Me Anne-France Golwater, veut conquérir le Canada anglais. Célèbre pour avoir défendu Lola dans le procès Éric contre Lola, sur les conjoints de fait, l’avocate nous parle de ses projets et nous donne son avis sur les sujets qui font l’actualité.

Anne-France Goldwater à la conquête du ROC

Anne-France Goldwater part à la conquête du Canada anglais. La flamboyante avocate tente d’exporter une version in English de L’arbitre et planche sur un potentiel talk-show pour la CBC, a-t-elle confié à La Presse.


Dans la salle d’attente du vaste cabinet d’Anne-France Goldwater, un gorille de taille humaine patiente en permanence avec un regard qui fixe le vide. Cette fantaisie est un prélude à l’accumulation de pièces étranges, exotiques ou enfantines qui peuplent le bureau de la nouvelle «Judge Judy» du Québec.

Anne-France Goldwater on the Ric Peterson Show - March 2, 2012

Kim Fraser and Me. Anne-France Goldwater debate police use of tasers and cops investigating cops. Ric also speaks with McGill professor Daniel Levitin who may have found a mathematical formula that maps out a pattern for all sorts of events on earth, from your heartbeat to natural disasters.

Le Canada anglais s'intéresse à L'arbitre

(Montréal) Bien connue au Québec pour avoir défendu une mère monoparentale dans la cause Éric et Lola, Me Anne-France Goldwater fait maintenant parler d’elle au Canada anglais. Ça tombe bien: Le Soleil a appris qu’elle pourrait animer une version anglaise de L’arbitre, dont elle est la vedette à V.

Something fierce makes Canada Reads interesting, for once

One of the authors at the centre of a nasty fight over CBC’s Canada Reads contest is now in Ottawa, performing a play based on her contentious book.

Carmen Aguirre is performing her one-woman show, at the Great Canadian Theatre Company & to Feb. 12. The play is based, in part, on her memoir Something Fierce – Memoirs of a Revolutionary Daughter, a memoir of her days as a teenaged member of the resistance movement in Chile. This week it brought unexpected and welcome excitement to CBC Radio’s otherwise tediously genteel book contest.

On Canada Reads, a handful of celebrities each champion one book that we all should read (because, you know, celebrities are, like, real smart, and best suited to tell the rest of us what we should read). Each celebrity challenges the other books, in the hope the book they represent will not be “voted off.”

One of the panelists is Anne-France Goldwater, a lawyer in Montreal who hosts a TV show named L’Arbitre. Goldwater savaged Aguirre’s book, and said, “Carmen Aguirre is a bloody terrorist. How we let her into Canada, I don’t understand.”

Well, sacre bleu! In the hypocritically polite world of Canadian literary chatter, such forthright opinion simply won’t do. The remarks prompted the usual outrage, demands for retraction, etc, with ominous suggestions of “libel” and “slander” (though, it must be noted, not from Aguirre, who to the best of my knowledge has not publicly commented on the fracas). Goldwater is, God bless her, unrepentant, and told The Globe and Mail, “That’s part of what life is in Canada. If you put your book out there, if it’s chosen to be in a debate – which is what this is, a literary debate, after all … you’re a free agent, withdraw your book. . . . In this country there is a tolerance for a difference of opinion, and if somebody just doesn’t buy your story, they don’t buy their story.”

I haven’t read Aguirre’s book, so I have no basis to gauge the verisimilitude of her memoir, and certainly no basis to decide if she is or is not a “terrorist.” But that’s not the point: the point is that Goldwater has read the book, and doing so has led her to her opinion, whether the sophists of Can-list like it or not.

Goldwater’s comments do not in any way harm Aguirre’s book, which, unquestionably, is now familiar to far more potential readers than it was before Goldwater injected a brief flicker of spark into the self-satisfied and clubby feel that defines Canada Reads. I’ll trust that Aguirre, having fought against and survived a violently oppressive government in her home country, understands the value of free speech, even if that free speech is not complimentary to her.

Ottawa theatre fans can see glimpses of her memoir and her life in Blue Box, which is part of GCTC’s Undercurrents festival, to Sun., Feb. 12. I called the box office at 11:25 a.m. Wednesday, and was told there are still tickets remaining for all performances – though sales have indeed picked up in the past couple of days as the Canada Reads scandal has played out. The play will move on to Vancouver, Toronto, Victoria and Calgary.

“It’s a story of terror, romance and abandon,” the GCTC web page says, breathlessly, “that takes us from the dangerous mountain passes of Chile to the perilous roller coasters of Hollywood; from an ardent love affair with a TV star, to a passionate love for a revolution that strove to change an entire nation.”

Sounds more like titillation than terrorism, but I don’t want to sound impolite.

Peter Simpson is arts-editor-at-large for The Ottawa Citizen, and he writes about visual arts, music, books, film and other arts and entertainment in Canada’s capital city.